Introducing Track Editor: Fine-Tune Your Audio Drama After It's Produced

Your audio drama is produced, the cast sounds great, and then you catch it - one line reads a little flat, a sound effect landed a beat early, or a scene could use a swell of music that wasn't there before. Until now, fixing something like that meant re-running the whole production from scratch.

Track Editor changes that. It's a new, piece-by-piece editing view for every completed production, built for exactly this: making a change after the fact without touching anything you didn't ask to change.

What you can do

• Regenerate any single line, sound effect, ambience bed, or music cue - on its own, in seconds, without re-rendering the rest of the episode.
• Insert new narration, Foley, ambience, or music anywhere in the timeline - drop in a line you forgot, a sound effect that would sell a moment, or a music cue to open a scene.
• Ignore a line without deleting it. Toggle any piece off and it's skipped in the final mix - toggle it back on any time and it's exactly as it was.
• Drag and drop to reorder narration, Foley, ambience, or music - rearrange a scene without starting over.
• Replace a character's voice - pick a different voice from your library, or design a brand new one, and every one of that character's existing lines regenerates in that voice automatically.
• Play back and review inline - narration and Foley play in sequence, ambience and music loop underneath, exactly like the finished mix, so you can catch issues before you commit to a change.

How it's priced

Every production comes with enough free regenerations to redo it in full once - narrations, Foley, ambience, and music included - so you can polish freely before you've spent a dime. Once you've used those up, more are available to purchase right from the Track Editor, priced per generation, so you only ever pay for exactly what you use.

Where to find it

Open any completed take and look for the Track Editor button. Make your changes, listen back, and click Recompile Final Audio whenever you're ready to lock in a new final mix.

We built this because a great audio drama is rarely perfect on the first pass - now it doesn't have to be.